Butch Walker’s production and songwriting resumé is not only impressive, it’s extensive. A quick snapshot of the Georgia native’s work over the last 15 years include producing and co-writing with Taylor Swift (on perhaps her most rocking record, 2012’s Red), in addition to Pink, Gavin DeGraw, Harry Connick, Jr., Fall Out Boy, Weezer, The Struts, and Train.

But Walker is an equally prolific artist in his own right, with nearly a dozen albums since 2002’s deft Left of Self-Centered, all of which display Walker’s fierce guitar playing, power-pop writing gifts, and broad production palette. More recently, he has been busy on new albums by Jewel, The Wallflowers, and Green Day’s latest LP, Father of All…, which sees Walker escorting Billie Joe and the boys through some of the garage-y, glam-approved territory. Here Walker details how Apollo, UAD, and OX Amp Top Box helped deliver one of Green Day’s most ambitious records yet.



I use Universal Audio gear every time I plug in a mic to do a podcast or plug in a guitar to record a song. It’s fascinating to see how the pros are using the same gear I am to record their music.

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